Looking Back: A Review of My Self-Titled Album, James Robert Webb

Every album is a snapshot of where an artist is at a certain point in time—what they’re feeling, what they’re learning, and what they want to say. My self-titled album, James Robert Webb, was no exception. Looking back on it now, I see it as a defining moment in my career—a collection of songs that bridged the past and the future, blending my roots in country with my love for pushing boundaries.

The Sound & The Vision

I wanted this album to feel like a journey through all the influences that shaped me—from classic country to honky-tonk, from rock to gospel. With the legendary Buddy Cannon producing, we captured a sound that was modern yet timeless. It’s a record that feels as at home in a barroom as it does on a backroad.

Standout Tracks

🔥 “Think About It” – This was my most successful single from the album, breaking into the Top 40 on Billboard's Country Indicator chart. It’s got that foot-stomping energy and clever wordplay that makes it stick with you.

💔 “Stealing Home” – This song became a #1 hit on Texas radio, and for good reason. It’s one of the most personal songs I’ve recorded, a touching tribute that resonated deeply with so many.

💥 “Something Out Of Nothing” – Another #1 Texas radio hit, this is a story song that would fit right in on any classic country album. With its heartfelt lyrics about a cowboy who will never give up and it’s timeless melody, it sets the stage for the rebel spirit that runs into Weekend Outlaw.

🎶 “Good Time Waitin’ to Happen” – If you ever needed a feel-good anthem, this was it. Upbeat, fun, and pure honky-tonk energy.

Sleepers

🤠 “Now We're Gettin' Somewhere” – A boot-scootin’ honky-tonk classic, this track brings the dance floor to life with its infectious groove and high-energy delivery.

🌊 “Undertow” – One of those unique ballads that we wrote thinking of George Strait or Garth Brooks. It pulls you in with its emotional depth and haunting melody, capturing the feeling of being caught between the past and the future.

Lessons Learned

Releasing a self-titled album was a bold move—it meant this wasn’t just another record, it was a statement about who I was as an artist. Capping a decade of me championing neotraditionalist country music, this album laid the groundwork for what was to come. Looking back I think it showed that I wasn’t afraid to mix the traditional with the unexpected.

Now, with a new generation of artists like Zach Top and others carrying the neotraditional torch, I’m setting my sights on new creative frontiers. Moving onward and forward with projects like Weekend Outlaw and Telescope, I see James Robert Webb as a milestone—one that set the stage for everything I’m doing now.

If you haven’t given it a spin in a while, check it out and let me know your favorite track! 🎶

🎧 Listen here: James Robert Webb